Wednesday, 3 September 2008

Edinburgh festival opera review: The Two Widows, Festival Theatre

Operas do not come very practically lighter than The Two Widows, Smetana's comic heir to The Bartered Bride. This is the second time it has been championed by Scottish Opera, and although it mightiness seem flimsy stuff on which to hang the recently beleagured company's Edinburgh Festival appearance, this new production, by Tobias Hoheisel and Imogen Kogge, brings it off with gentle, irresistible good humour.












Essentially, this is a drawing room comedy spiced with a few rousing peasant choruses and some scenes for a youth couple song by Ben Johnson and Rebecca Ryan who provide light relief - non that it is requisite. The familial relationship between the deuce widows of the title, the unworried Karolina and her more than upright cousin Anezka, is nicely observed in the byplay between soprano Kate Valentine and mezzo Jane Irwin.

Valentine is a good head taller than anyone else on stage - when she sings "I'm an Amazon" she's not jocular, and the nose of Ladislav (David Pomeroy) ends up in her cleavage more than once. But she has presence to match, and though her soprano is a little grainy, she is good cast as the serial flirt sour matchmaker. Elsewhere, blustering gamekeeper Mumlal receives a well-judged portrayal from Nicholas Folwell, who delivers each discussion of the English text with lip-smacking relish.

The orchestra is at its ebullient best under new music director Francesco Corti, throwing out polkas every which way with light-footed crispness. If non all the wind solos are ideally mellifluous, the same could be aforesaid of Pomeroy's tenor, and yet his foppish geniality and ease with the high notes compensate for his wheezy tone, making him a sympathetic love interest for Anezka. Her doubts over whether to admit her feelings to this old flame make for the opera's one really serious monologue, to which Irwin brings convincing intensity.

Hoheisel's set, covered in gaudy william Green and orange wallpaper, is backed by a conjectural mirror, and there is a recurring laugh involving Mumlal's mirror image, who would rather sit and drink than bother to observe up with his flesh-and-blood counterpart. It could feature spilled over into corniness, but Hoheisel and Kogge know just when to stop. Smetana, who wrote perhaps 10 minutes more music than required, didn't quite, simply, in the circumstances, that is out of the question to begrudge.







More info

Sunday, 24 August 2008

Mp3 music: Halou






Halou
   

Artist: Halou: mp3 download


   Genre(s): 

Rock
Ambient
Electronic

   







Halou's discography:


Wholeness E.P.
   

 Wholeness E.P.

   Year: 2003   

Tracks: 6
Wiser
   

 Wiser

   Year: 2001   

Tracks: 11
We Only Love You
   

 We Only Love You

   Year: 1998   

Tracks: 10






Unlike many of the colder-sounding tunes that ar predominant in electronica medicine, Halou's sound is infused with slew of emotion thanks to Rebecca Coseboom's vocals. She is a arrant transparency for the compositions of her married man, Ryan Coseboom. The couple started compounding their talents in Santa Cruz, CA, in 1992. They migrated various age by and by to San Francisco and first formed a chemical group called Anymore. Their first recording under the advert Halou, We Only Love You, was issued through Bedazzled, a label that before long folded. Because of the label's death and a want of enough dissemination, We Only Love You went most nowhere, contempt goodish critical praise and credence by indie wireless. Halou's side by side album, Wiser, constitute a home at Nettwerk Records and the label issued the discharge in 2001. The songs on Wiser retained their electronic foundation, but added a kink with the introduction of drums, an acoustic two-fold bass, and a violoncello. Halou's sophomore album first Baron Marks of Broughton the first show of Count with the chemical group. He plays drums and co-produced the discharge, and he also performed the duties of mixer and locomotive engine engineer. He erstwhile utilised his skills on recordings by New Order, Blackalicious, Deep Blue Something, Philip Steir, Run-D.M.C., and No Doubt.





Matt Damon - Bourne Star Matt Damon Becomes Father For Second Time

Thursday, 14 August 2008

Legislation Would Allow Small Businesses To Form Health Insurance Purchasing Pools


Rep. Don Cazayoux (D-La.) on Thursday promoted a bill (HR 6210) that would allow the institution of statewide or nationwide health indemnity purchasing pools for small businesses and self-employed individuals, the Baton Rouge Advocate reports.

The Small Business Health Options Program would provide small businesses with annual tax credits of as much as $1,000 per employee, or $2,000 per family, provided that the companies cover more than 60% of the cost of health policy premiums for workers. In addition, the legislation would provide free-lance individuals with annual tax credits of as much as $1,800 per employee, or $3,600 per family (Chacko, Baton Rouge Advocate, 8/8). Under the flyer, health insurers could non increase premiums in the event that small-business employees become ill or file more claims. The legislation also would establish a Web situation to allow the comparing of information about various health plans (Kaiser Daily Health Policy Report, 6/11).

Cazayoux, one of the more than 45 co-sponsors of the bill, said that the lawmaking would reduce health insurance costs for small businesses through the expansion of risk crosswise a large pool of employees. According to Cazayoux, small businesses on average pay 18% more than large companies for the same spirit level of health insurance for employees. He added that small-business owners, employees and their dependents account for more than 28 1000000 of the almost 47 million uninsured U.S. residents (Baton Rouge Advocate, 8/8).


Reprinted with kind permission from hTTP://www.kaisernetwork.org. You can view the entire Kaiser Daily Health Policy Report, search the archives, or signaling up for email delivery at hypertext transfer protocol://www.kaisernetwork.

Wednesday, 6 August 2008

The Minister For Health And Children, Mary Harney TD, Announces Publication Of The Report Of The Independent Body On Pharmacy Contract Pricing

�The Minister for Health and Children, Mary Harney TD, proclaimed the publication of the Report of the Independent Body on Pharmacy Contract Pricing. The Minister intends to fetch the report to Government at the earliest possible opportunity in the autumn.




On 18 February 2008 the Minister for Health and Children announced the appointment of an Independent Body to recommend a new, meanwhile community drugstore dispensing fee for the General Medical Service (GMS), Drugs Payment Scheme (DPS) and former community drug schemes.




The body was chaired by Mr Sean Dorgan and the other members were Mr Mark Moran and Ms Mary O'Dea.




The Terms of Reference for the Independent Body on Pharmacy Contract Pricing were as follows:




"To propose the Minister for Health and Children on the appropriate level of dispensing fee to be nonrecreational to community of interests pharmacists for existing services provided below the GMS and community drug schemes having esteem to:




- the overall public interest including the issues of affected role safety and continuity of supply;




- the fee of �5 per item which has already been offered;




- the sane costs incurred by pharmacists in providing services under the schemes and the value of the professional service of dispensing; and




- the statutory obligation on the Health Service Executive (HSE) to use the resources available to it in the most beneficial, effective and efficient personal manner to meliorate, promote and protect the health and welfare of the public;




and to submit a report on the matter to the Minister for Health and Children."




Along with the terms of reference, the Minister dress out a proposed manner of operation as follows:




- both the HSE as the contracting body and the Irish Pharmacy Union (IPU) as the representative organisation for community pharmacists, along with other stakeholders, would be entitled to make submissions addressing whatever factors and issues ar of fear to them.




- the Independent Body was also entitled to enlist whatever outside expertise it required to assist it with its task.




- based on its consideration of submissions received and its own independent evaluation, the Independent Body was to recommend an appropriate dispensing fee to the Minister that would, in its view, typify a fair and sensible price to be nonrecreational for the pharmaceutical service currently

Friday, 27 June 2008

Tribute To KraftWerk

Tribute To KraftWerk   
Artist: Tribute To KraftWerk

   Genre(s): 
New Age
   



Discography:


Craking The Code   
 Craking The Code

   Year: 2000   
Tracks: 13




 





YouTube enshrines Universal Studios' lost attractions

Friday, 13 June 2008

Alfredo De La Fe

Alfredo De La Fe   
Artist: Alfredo De La Fe

   Genre(s): 
Latin: Dance
   



Discography:


Salsa   
 Salsa

   Year:    
Tracks: 5


Cha Cha Cha   
 Cha Cha Cha

   Year:    
Tracks: 1




 






Saturday, 7 June 2008

'American Idol' Finalists David Cook And David Archuleta: What Might Their Future Hold? Experts Weigh In




We probably won't hear the results from this season's winner, 25-year-old rock interpreter David Cook, or runner-up David Archuleta, until December, but he presents a unique opportunity for the "Idol" brain trust. For the first time in the show's seven-year history, an "Idol" winner has a shot at launching a bona fide rock career, which would be a switch from the pop, country and R&B winners of the past. We asked a number of music industry veterans (none of whom are directly associated with the show) what they would do with the first top-two males since Ruben and Clay, if given the chance.

One person who is particularly excited about both finalists, but especially about Archuleta, is Michael Riley, senior vice president/ general manager of Radio Disney. Riley was rooting for both because, at its core, "Idol" helps raise the profile of music that's fit for kids and families.

"We've had past 'Idol' participants come into Radio Disney, like Kelly Clarkson, Carrie Underwood and Chris Daughtry, and we'd love to have David Archuleta come into the studio," Riley said. "We play a lot of different kinds of music, but he really fits our demographic spot-on and appeals to kids and families."

Cook fits the Radio Disney profile too, Riley added the day before the finale. And, like Clarkson, Cook also appeals to a wider audience.

Though the winner and runner-up are typically scooped up right away by 19 Entertainment and assigned to a label in the Sony BMG universe, that doesn't mean other labels and managers wouldn't love to get their hands on them, given the chance. "The best thing that could possibly happen to BMG is if Archuleta wins," said Steve Greenberg, founder of S-Curve Records (We the Kings) on the eve of the final performance show on Tuesday. Riley, the father of 6- and 10-year-old girls who are obsessed with the show, added, "It gives them a ready-made teen idol, their own Miley Cyrus or Jonas Brothers, if they do it correctly."

Given the label's ties with Nickelodeon, Greenberg said it would be easy to cross-market Archuleta on the network (which, like MTV, is owned by Viacom). While a spokesperson for 19 Entertainment would not comment for this story, Greenberg said a male teen idol is the one thing the show has not yet launched. Cook inhabits a space that is already somewhat occupied by former top-four finisher Daughtry. "Archuleta could be the biggest 'Idol' winner in years, if they market him in a teen idol direction. I would love to work with him because I would know exactly what to do."

Wendy Goldstein spent more than 20 years working as an A&R rep for a variety of major labels. She knows a thing or two about "Idol," since she said she was tapped to be one of the panelists early in the pilot stage of the ratings champ. Between his youth appeal and "sweet" voice, she sees big things for Archuleta.

"I would like to see him make a great, innovative pop record like Leona Lewis' 'Bleeding Love,' " said Goldstein, whose management company represents Underdogs member Harvey Mason Jr., the songwriter/producer of "Idol" season-six winner Jordin Sparks' hit "No Air." (Mason has already penned a song that might end up on Archuleta's first album.)

While some are salivating at the thought of minting a male Hannah Montana, don't think Cook isn't getting some people excited as well. The former bartender from Blue Springs, Missouri, succeeded in part by putting his own spin on some otherwise treacly songs (or borrowing someone else's new arrangement), as well as sticking to the kind of gritty rock songs that suit his voice.

"There is a huge demand for bands like Nickelback, and he's doing songs that people are familiar with — taking other artists' songs and putting his own spin on it so that they can be accepted by a [demographic] that normally would never care," explained Jonathan Azu, vice president of strategic music partnerships for CBS Radio, several weeks before Cook made it to the final round. "At the same time, when he becomes an artist, most musicians don't want to do covers, so he has to start integrating some of his own material into what he's trying to do."

Paul Geary, an artist manager who works with Smashing Pumpkins and Godsmack, sees several similarities between Cook and Daughtry. If Cook came asking for advice, Geary said he might suggest that the singer embrace his pop side while trying to rock.

"As I had conversations with Daughtry along the way, when he was still a contestant, I remember being asked the same question: Does he stick with 'American Idol,' and if he wins, will he be taken seriously at the rock [radio] formats?" Geary said several weeks before the final showdown. "All of these people are talented — the challenge is, you are now entering the world of commercialism, and how do you connect the dots with the consumer? 'Idol' is a pop mainstream forum and probably couldn't be any further away from the active rock audience, which is an aggressive, male-based audience. For Cook to be credible in the rock world, 'Idol' is a tough place to [come from], and he should probably join a rock group. On the flip side, top-40 radio would be a natural home for him. Those formats can embrace a pop idol."

In some ways, the strategy is more obvious for Cook, suggested Peter Katsis, a vice president at powerhouse Los Angeles talent management company the Firm, which has worked with winners Clarkson and Taylor Hicks in the past. "Archuleta has more of a Broadway-type background, so it's kind of hard to say what direction to take him in," he said. "But I could see it being easy to find David Cook the right material to make him a bit of a hipper, younger Daughtry. In a lot of ways, the path is clearest for him as a recording artist."

Goldstein agrees that the Daughtry route is the right one for Cook, but she cautioned that softening him up too much could land him in a musical no-man's land where he loses hard rock fans and is too hard for pop heads.

Unlike Greenberg and Riley, Katsis thinks Archuleta is maybe a bit too "classy" to do teen-pop material, so if he landed on the Firm's doorstep, he might push him in a more adult-contemporary direction, à la Josh Groban. "He has an amazing voice that's very powerful, but it doesn't necessarily lend itself, style-wise, to something like what Justin Timberlake is doing," he said.

What did you think of the finale? Head to YouRHere.MTV.com to upload your video reactions to Cook's big win, and check out what other "Idol" fanatics are saying!

Plus, you can get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions. And relive six seasons of "Idol" hot messes and high notes in six minutes with our video timeline.






See Also

Thursday, 29 May 2008

Kelly Rowland: 'I Didn't Think People Would Notice My New Boobs'

Kelly Rowland has admitted she didn’t expect people to create such a big fuss over her new breasts, having waited ten years to get the ample chest she so desperately wanted.

The Destiny’s Child songstress went under the knife last year to boost her modest A-cup to a B-cup, because she was fed up with her clothes not fitting her properly.

She tells WENN: "It was something I'd been thinking about since I was 17 years old, and my mum looked at me like I was crazy. 

"She said, 'Let your body finish developing', and I did, and I remember I thought about it when I got a little older, when I was around 20/21. I went in for a consultation and I was nervous, I was scared, so I thought about it a little more.

“Then a year later, I was still not comfortable, and finally I felt comfortable and I had the time to do it."

But Rowland admits she was shocked by the media coverage of her breast implants - because she didn't expect anyone to take notice of her more generous assets.

She adds: "It was something I didn't really think that people would notice, but I guess it's kinda noticeable!

"But then, the thing is, I felt that I couldn't lie, and I felt like I didn't have to lie, because now it's like going to get your teeth cleaned! It's just as simple as that, and I don't think that it's something that should be a feature or headline for the story; I don't think it's worth that, it's just a decision that I decided to make for myself, so I could fit my clothes better!"

Sunday, 25 May 2008

The Kooks - The Kooks Snubbed By Minogue

British rockers THE KOOKS were left devastated after their unlikely musical hero KYLIE MINOGUE refused to allow them entry to her latest tour's after-party.

The Naive hitmakers were in Paris shooting the promo for upcoming single Do You Wanna at the same time the Australian pop star kicked off her X2008 tour in the French capital last week (ends09May08).

And being huge fans of the Can't Get Your Out Of My Head hitmaker, the group desperately pleaded for invitations to the exclusive event, but were left disappointed after the superstar snubbed them.

The band's frontman Luke Pritchard explains, "We heard she was having a party so asked if we could come. We were gutted (when refused). I like her and her songs."

But the knock-back won't stop the rockers trying to party with the diminutive singer in the future. Pritchard adds, "I won't give up. We'll try again next time we're in the same city."




See Also

David Turpin - The Sweet Used-to-Be

When your debut features samples from Nico's 'These Days' and doesn't actually need them, you can sleep the sleep of the job well done - and David Turpin and his cohorts deserve their share of lie-ins.
While the sheer quantity of Irish records available in any week now is more likely to bewilder than beguile, Turpin does plenty to make himself stand out - singer-songwriter forays into programming long ceased to inspire UFOs-over-the-GPO awe, but someone trying to make every track a planet in a bigger universe is reason enough to watch the skies.
Together with co-producer Stephen Shannon, Turpin makes sure that the electronics don't end up taking over and left in a corner with a hand-me-down acoustic he'd still cut it. Maybe that's the next album.
In the meantime, you can mix up the happy and sad here; wonder if his drama would work better on a soundtrack or musical or see how often you can play the standout 'Dancing on My Grave' and still get the same pop buzz.
Harry Guerin

Timbaland - Bilan Wins Eurovision For Russia With Timbaland Track

Russian singer DIMA BILAN is celebrating after claiming victory for his country at Saturday's (24May08) Eurovision Song Contest - with a TIMBALAND-produced song.

The pop star's Believe track landed Russia its first ever win in the European competition, taking 272 points to beat Ukraine's Ani Lorak into second place with her disco track Shady Lady, which scored 230 points.

Greek singer Kalomira scooped third place with her pop song Secret Combination at the event, which was held at the Belgrade Arena in Serbia.

Britain's Eurovision entry, by former The X Factor talent show star Andy Abraham, came last with a dismal 14 points, while the German and Polish entries were also awarded 14 points, but finished tied one place higher than Abraham because their top scores in a single round were higher.




See Also

Nicole Richie wants five children

Nicole Richie and Joel MaddenNew mom Nicole Richie doesn’t plan to stop at just the one child.


The 26-year-old socialite — who gave birth to her first child with boyfriend Joel Madden in January — says she hopes to have “five children � twin boys and three girls.


“I�ve wanted that since I was a little girl.”




See Also

Kronos Quartet

Kronos Quartet   
Artist: Kronos Quartet

   Genre(s): 
New Age
   Classical
   Instrumental
   Jazz
   Other
   



Discography:


Early Music (Lachrymae Antiquae)   
 Early Music (Lachrymae Antiquae)

   Year: 2003   
Tracks: 18


Caravan   
 Caravan

   Year: 2000   
Tracks: 12


John Adams - John's Book Of Alleged Dances   
 John Adams - John's Book Of Alleged Dances

   Year: 1998   
Tracks: 14


Alfred Schnittke - The Complete String Quartets Cd1   
 Alfred Schnittke - The Complete String Quartets Cd1

   Year: 1998   
Tracks: 11


25 Years (Cd10)   
 25 Years (Cd10)

   Year: 1998   
Tracks: 14


25 Years (Cd09)   
 25 Years (Cd09)

   Year: 1998   
Tracks: 5


25 Years (Cd08)   
 25 Years (Cd08)

   Year: 1998   
Tracks: 12


25 Years (Cd07)   
 25 Years (Cd07)

   Year: 1998   
Tracks: 6


25 Years (Cd06)   
 25 Years (Cd06)

   Year: 1998   
Tracks: 4


25 Years (Cd05)   
 25 Years (Cd05)

   Year: 1998   
Tracks: 7


25 Years (Cd04)   
 25 Years (Cd04)

   Year: 1998   
Tracks: 18


25 Years (Cd03)   
 25 Years (Cd03)

   Year: 1998   
Tracks: 1


25 Years (Cd02)   
 25 Years (Cd02)

   Year: 1998   
Tracks: 10


25 Years (Cd01)   
 25 Years (Cd01)

   Year: 1998   
Tracks: 9


Tan Dun - Ghost Opera   
 Tan Dun - Ghost Opera

   Year: 1997   
Tracks: 5


Released: 1985-1995   
 Released: 1985-1995

   Year: 1995   
Tracks: 15


Released - 1985-1995 (Cd2)   
 Released - 1985-1995 (Cd2)

   Year: 1995   
Tracks: 3


Released - 1985-1995 (Cd1)   
 Released - 1985-1995 (Cd1)

   Year: 1995   
Tracks: 4


Night Prayers   
 Night Prayers

   Year: 1994   
Tracks: 5


Short Stories   
 Short Stories

   Year: 1993   
Tracks: 9


Bob Ostertag - All The Rage   
 Bob Ostertag - All The Rage

   Year: 1993   
Tracks: 1


At the Grave of Richard Wagner   
 At the Grave of Richard Wagner

   Year: 1993   
Tracks: 8


Pieces Of Africa   
 Pieces Of Africa

   Year: 1992   
Tracks: 12


Witold Lutoslawski - String Quartet   
 Witold Lutoslawski - String Quartet

   Year: 1991   
Tracks: 2


Kevin Volans - Hunting-Gathering   
 Kevin Volans - Hunting-Gathering

   Year: 1991   
Tracks: 3


Henryk Gorecki - Already It Is Dusk   
 Henryk Gorecki - Already It Is Dusk

   Year: 1991   
Tracks: 4


Black Angels   
 Black Angels

   Year: 1990   
Tracks: 11


Salome Dances for Peace CD 2   
 Salome Dances for Peace CD 2

   Year: 1989   
Tracks: 8


Salome Dances for Peace CD 1   
 Salome Dances for Peace CD 1

   Year: 1989   
Tracks: 15


In Formation   
 In Formation

   Year: 1989   
Tracks: 10


The music of Bill Evans   
 The music of Bill Evans

   Year: 1986   
Tracks: 9


Kronos Quartet   
 Kronos Quartet

   Year: 1986   
Tracks: 5


Monk Suite - music of Thelonious Monk   
 Monk Suite - music of Thelonious Monk

   Year: 1985   
Tracks: 9


Monk Suite   
 Monk Suite

   Year: 1985   
Tracks: 9


Lutoslawski   
 Lutoslawski

   Year:    
Tracks: 2




 






Pasquini - Works For Organ and Harpsichord

Pasquini - Works For Organ and Harpsichord   
Artist: Pasquini - Works For Organ and Harpsichord

   Genre(s): 
Classical
   



Discography:


Lorenzo Ghielmi   
 Lorenzo Ghielmi

   Year: 1991   
Tracks: 18




 






Actress and (real) singer: Johansson's debut discis acclaimed


Scarlett Johansson's best-known musical performance to date was her pink-wigged karaoke rendition of a Pretenders song in the film Lost In Translation. But the Hollywood actress has now released an album and it has been proclaimed by one of the music industry's toughest critics as "the coolest movie/rock crossover album in the history of celebrity cash-ins".



The New Musical Express says Johansson's "astonishing debut" of Tom
Waits covers, Anywhere I Lay My Head, has succeeded where other celebrities
who have attempted to break into music have so miserably failed. Proclaiming
the 23-year-old an "indie icon", Johansson is pictured on the
cover of the NME's latest issue holding a horned animal skull between
crimson-painted fingernails.


The magazine's deputy editor, Krissi Murison, said: "When people first
started talking about it, we thought it didn't sound very NME; then we got
the album and it floored everybody. It's really beautiful, really
unexpected, with very artful, interesting influences. A lot of people's
expectations of an actress making an album are that it would be manufactured
and robotic. No one expected she would sound like that – a deep baritone and
quite androgynous."


NME's glowing verdict is not universal, however. The American magazine Rolling
Stone gave the album just two-and-a-half stars out of five. "Johansson's
voice is unremarkable and her pitch sometimes unsteady; she's a faintly goth
Marilyn Manson lost in a sonic fog", the magazine wrote. Entertainment
Weekly gave the album a C grade, branding the actress's voice "expressionless".


Murison said Johansson may have more appeal in Britain than in America because
her musical tastes are "quite Anglophile". Johansson, who grew up
listening to Depeche Mode and Radiohead, is a fan of the Scottish bands
Cocteau Twins and The Jesus and Mary Chain, with whom she sang the track "Just
Like Honey" at the Coachella Festival in California last year.


Scarlett Johansson's video for single "Falling Down"



Johansson was invited to make an album by Rhino Records, the label behind last
year's Led Zeppelin compilation album Mothership, which heard Johansson sing "Summertime"
on a 2006 compilation of recordings by actors.


The actress, a prot�g�e of Woody Allen, agreed to cut the CD but her first
attempt at a Waits cover album was, by her own admission, a flop. It was
only when she teamed up with Dave Sitek, the producer recently ranked number
one in NME's list of the 50 most forward-looking people in music, that
success beckoned. Sitek came up with the idea to take Johansson to a
Louisiana recording studio to recapture some of the rawness of Waits'
original recordings. David Bowie provides backing vocals on two of the
album's tracks, and sound effects including owls and rainstorms were used. "It's
Dave Sitek who opened the horizons of what this album could be and brought
in ideas," said Murison.


Initially, Johansson just wanted to record "I Never Talk To Strangers",
a duet between Waits and Bette Midler. Then to balance the song out, she
recorded some more Waits songs until she had an entire album of covers, plus
one original track, "Song For Jo", which she and Sitek co-wrote.
In an interview with the NME, Johansson said she had been a fan of Waits
since the age of 13, when her father played the singer's music to her and a
friend. "At first we were like, 'What is this noise? Chainsaws hitting
nails into walls?' But we liked it and it became our little secret, the
music that we were into that none of our friends knew about," she said.


"What gripped me about it was that he writes from shadows. It's really
dark and shadowy music that talks about the emotion, passion and rawness of
the human condition and there's this real fire to it."


Musical interludes


Paris Hilton


Released her debut album, Paris, on Heiress records in 2006. It received a
mixed critical reception.


Keanu Reeves


Bass guitarist in the rock band Dogstar, which supported Bon Jovi in 1995,
before quitting in 2002 over work commitments.


Russell Crowe


Sang with 30 Odd Foot of Grunts. He quit in 2005 before returning in a new
band with the same initials, The Ordinary Fear of God.


Minnie Driver


In the UK last week performing her second album, Seastories, which has just
been released to warm reviews.


Bruce Willis


Released his debut album, The Return of Bruno, a collection of R&B covers
with The Temptations, in 1987.


William Shatner


Recorded a spoken-word album with orchestral backing, The Transformed Man, in
1968. It included a version of Lucy In The Sky With Diamonds.












See Also