Wednesday, 3 September 2008

Edinburgh festival opera review: The Two Widows, Festival Theatre

Operas do not come very practically lighter than The Two Widows, Smetana's comic heir to The Bartered Bride. This is the second time it has been championed by Scottish Opera, and although it mightiness seem flimsy stuff on which to hang the recently beleagured company's Edinburgh Festival appearance, this new production, by Tobias Hoheisel and Imogen Kogge, brings it off with gentle, irresistible good humour.












Essentially, this is a drawing room comedy spiced with a few rousing peasant choruses and some scenes for a youth couple song by Ben Johnson and Rebecca Ryan who provide light relief - non that it is requisite. The familial relationship between the deuce widows of the title, the unworried Karolina and her more than upright cousin Anezka, is nicely observed in the byplay between soprano Kate Valentine and mezzo Jane Irwin.

Valentine is a good head taller than anyone else on stage - when she sings "I'm an Amazon" she's not jocular, and the nose of Ladislav (David Pomeroy) ends up in her cleavage more than once. But she has presence to match, and though her soprano is a little grainy, she is good cast as the serial flirt sour matchmaker. Elsewhere, blustering gamekeeper Mumlal receives a well-judged portrayal from Nicholas Folwell, who delivers each discussion of the English text with lip-smacking relish.

The orchestra is at its ebullient best under new music director Francesco Corti, throwing out polkas every which way with light-footed crispness. If non all the wind solos are ideally mellifluous, the same could be aforesaid of Pomeroy's tenor, and yet his foppish geniality and ease with the high notes compensate for his wheezy tone, making him a sympathetic love interest for Anezka. Her doubts over whether to admit her feelings to this old flame make for the opera's one really serious monologue, to which Irwin brings convincing intensity.

Hoheisel's set, covered in gaudy william Green and orange wallpaper, is backed by a conjectural mirror, and there is a recurring laugh involving Mumlal's mirror image, who would rather sit and drink than bother to observe up with his flesh-and-blood counterpart. It could feature spilled over into corniness, but Hoheisel and Kogge know just when to stop. Smetana, who wrote perhaps 10 minutes more music than required, didn't quite, simply, in the circumstances, that is out of the question to begrudge.







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Sunday, 24 August 2008

Mp3 music: Halou






Halou
   

Artist: Halou: mp3 download


   Genre(s): 

Rock
Ambient
Electronic

   







Halou's discography:


Wholeness E.P.
   

 Wholeness E.P.

   Year: 2003   

Tracks: 6
Wiser
   

 Wiser

   Year: 2001   

Tracks: 11
We Only Love You
   

 We Only Love You

   Year: 1998   

Tracks: 10






Unlike many of the colder-sounding tunes that ar predominant in electronica medicine, Halou's sound is infused with slew of emotion thanks to Rebecca Coseboom's vocals. She is a arrant transparency for the compositions of her married man, Ryan Coseboom. The couple started compounding their talents in Santa Cruz, CA, in 1992. They migrated various age by and by to San Francisco and first formed a chemical group called Anymore. Their first recording under the advert Halou, We Only Love You, was issued through Bedazzled, a label that before long folded. Because of the label's death and a want of enough dissemination, We Only Love You went most nowhere, contempt goodish critical praise and credence by indie wireless. Halou's side by side album, Wiser, constitute a home at Nettwerk Records and the label issued the discharge in 2001. The songs on Wiser retained their electronic foundation, but added a kink with the introduction of drums, an acoustic two-fold bass, and a violoncello. Halou's sophomore album first Baron Marks of Broughton the first show of Count with the chemical group. He plays drums and co-produced the discharge, and he also performed the duties of mixer and locomotive engine engineer. He erstwhile utilised his skills on recordings by New Order, Blackalicious, Deep Blue Something, Philip Steir, Run-D.M.C., and No Doubt.





Matt Damon - Bourne Star Matt Damon Becomes Father For Second Time

Thursday, 14 August 2008

Legislation Would Allow Small Businesses To Form Health Insurance Purchasing Pools


Rep. Don Cazayoux (D-La.) on Thursday promoted a bill (HR 6210) that would allow the institution of statewide or nationwide health indemnity purchasing pools for small businesses and self-employed individuals, the Baton Rouge Advocate reports.

The Small Business Health Options Program would provide small businesses with annual tax credits of as much as $1,000 per employee, or $2,000 per family, provided that the companies cover more than 60% of the cost of health policy premiums for workers. In addition, the legislation would provide free-lance individuals with annual tax credits of as much as $1,800 per employee, or $3,600 per family (Chacko, Baton Rouge Advocate, 8/8). Under the flyer, health insurers could non increase premiums in the event that small-business employees become ill or file more claims. The legislation also would establish a Web situation to allow the comparing of information about various health plans (Kaiser Daily Health Policy Report, 6/11).

Cazayoux, one of the more than 45 co-sponsors of the bill, said that the lawmaking would reduce health insurance costs for small businesses through the expansion of risk crosswise a large pool of employees. According to Cazayoux, small businesses on average pay 18% more than large companies for the same spirit level of health insurance for employees. He added that small-business owners, employees and their dependents account for more than 28 1000000 of the almost 47 million uninsured U.S. residents (Baton Rouge Advocate, 8/8).


Reprinted with kind permission from hTTP://www.kaisernetwork.org. You can view the entire Kaiser Daily Health Policy Report, search the archives, or signaling up for email delivery at hypertext transfer protocol://www.kaisernetwork.

Wednesday, 6 August 2008

The Minister For Health And Children, Mary Harney TD, Announces Publication Of The Report Of The Independent Body On Pharmacy Contract Pricing

�The Minister for Health and Children, Mary Harney TD, proclaimed the publication of the Report of the Independent Body on Pharmacy Contract Pricing. The Minister intends to fetch the report to Government at the earliest possible opportunity in the autumn.




On 18 February 2008 the Minister for Health and Children announced the appointment of an Independent Body to recommend a new, meanwhile community drugstore dispensing fee for the General Medical Service (GMS), Drugs Payment Scheme (DPS) and former community drug schemes.




The body was chaired by Mr Sean Dorgan and the other members were Mr Mark Moran and Ms Mary O'Dea.




The Terms of Reference for the Independent Body on Pharmacy Contract Pricing were as follows:




"To propose the Minister for Health and Children on the appropriate level of dispensing fee to be nonrecreational to community of interests pharmacists for existing services provided below the GMS and community drug schemes having esteem to:




- the overall public interest including the issues of affected role safety and continuity of supply;




- the fee of �5 per item which has already been offered;




- the sane costs incurred by pharmacists in providing services under the schemes and the value of the professional service of dispensing; and




- the statutory obligation on the Health Service Executive (HSE) to use the resources available to it in the most beneficial, effective and efficient personal manner to meliorate, promote and protect the health and welfare of the public;




and to submit a report on the matter to the Minister for Health and Children."




Along with the terms of reference, the Minister dress out a proposed manner of operation as follows:




- both the HSE as the contracting body and the Irish Pharmacy Union (IPU) as the representative organisation for community pharmacists, along with other stakeholders, would be entitled to make submissions addressing whatever factors and issues ar of fear to them.




- the Independent Body was also entitled to enlist whatever outside expertise it required to assist it with its task.




- based on its consideration of submissions received and its own independent evaluation, the Independent Body was to recommend an appropriate dispensing fee to the Minister that would, in its view, typify a fair and sensible price to be nonrecreational for the pharmaceutical service currently

Friday, 27 June 2008

Tribute To KraftWerk

Tribute To KraftWerk   
Artist: Tribute To KraftWerk

   Genre(s): 
New Age
   



Discography:


Craking The Code   
 Craking The Code

   Year: 2000   
Tracks: 13




 





YouTube enshrines Universal Studios' lost attractions

Friday, 13 June 2008

Alfredo De La Fe

Alfredo De La Fe   
Artist: Alfredo De La Fe

   Genre(s): 
Latin: Dance
   



Discography:


Salsa   
 Salsa

   Year:    
Tracks: 5


Cha Cha Cha   
 Cha Cha Cha

   Year:    
Tracks: 1




 






Saturday, 7 June 2008

'American Idol' Finalists David Cook And David Archuleta: What Might Their Future Hold? Experts Weigh In




We probably won't hear the results from this season's winner, 25-year-old rock interpreter David Cook, or runner-up David Archuleta, until December, but he presents a unique opportunity for the "Idol" brain trust. For the first time in the show's seven-year history, an "Idol" winner has a shot at launching a bona fide rock career, which would be a switch from the pop, country and R&B winners of the past. We asked a number of music industry veterans (none of whom are directly associated with the show) what they would do with the first top-two males since Ruben and Clay, if given the chance.

One person who is particularly excited about both finalists, but especially about Archuleta, is Michael Riley, senior vice president/ general manager of Radio Disney. Riley was rooting for both because, at its core, "Idol" helps raise the profile of music that's fit for kids and families.

"We've had past 'Idol' participants come into Radio Disney, like Kelly Clarkson, Carrie Underwood and Chris Daughtry, and we'd love to have David Archuleta come into the studio," Riley said. "We play a lot of different kinds of music, but he really fits our demographic spot-on and appeals to kids and families."

Cook fits the Radio Disney profile too, Riley added the day before the finale. And, like Clarkson, Cook also appeals to a wider audience.

Though the winner and runner-up are typically scooped up right away by 19 Entertainment and assigned to a label in the Sony BMG universe, that doesn't mean other labels and managers wouldn't love to get their hands on them, given the chance. "The best thing that could possibly happen to BMG is if Archuleta wins," said Steve Greenberg, founder of S-Curve Records (We the Kings) on the eve of the final performance show on Tuesday. Riley, the father of 6- and 10-year-old girls who are obsessed with the show, added, "It gives them a ready-made teen idol, their own Miley Cyrus or Jonas Brothers, if they do it correctly."

Given the label's ties with Nickelodeon, Greenberg said it would be easy to cross-market Archuleta on the network (which, like MTV, is owned by Viacom). While a spokesperson for 19 Entertainment would not comment for this story, Greenberg said a male teen idol is the one thing the show has not yet launched. Cook inhabits a space that is already somewhat occupied by former top-four finisher Daughtry. "Archuleta could be the biggest 'Idol' winner in years, if they market him in a teen idol direction. I would love to work with him because I would know exactly what to do."

Wendy Goldstein spent more than 20 years working as an A&R rep for a variety of major labels. She knows a thing or two about "Idol," since she said she was tapped to be one of the panelists early in the pilot stage of the ratings champ. Between his youth appeal and "sweet" voice, she sees big things for Archuleta.

"I would like to see him make a great, innovative pop record like Leona Lewis' 'Bleeding Love,' " said Goldstein, whose management company represents Underdogs member Harvey Mason Jr., the songwriter/producer of "Idol" season-six winner Jordin Sparks' hit "No Air." (Mason has already penned a song that might end up on Archuleta's first album.)

While some are salivating at the thought of minting a male Hannah Montana, don't think Cook isn't getting some people excited as well. The former bartender from Blue Springs, Missouri, succeeded in part by putting his own spin on some otherwise treacly songs (or borrowing someone else's new arrangement), as well as sticking to the kind of gritty rock songs that suit his voice.

"There is a huge demand for bands like Nickelback, and he's doing songs that people are familiar with — taking other artists' songs and putting his own spin on it so that they can be accepted by a [demographic] that normally would never care," explained Jonathan Azu, vice president of strategic music partnerships for CBS Radio, several weeks before Cook made it to the final round. "At the same time, when he becomes an artist, most musicians don't want to do covers, so he has to start integrating some of his own material into what he's trying to do."

Paul Geary, an artist manager who works with Smashing Pumpkins and Godsmack, sees several similarities between Cook and Daughtry. If Cook came asking for advice, Geary said he might suggest that the singer embrace his pop side while trying to rock.

"As I had conversations with Daughtry along the way, when he was still a contestant, I remember being asked the same question: Does he stick with 'American Idol,' and if he wins, will he be taken seriously at the rock [radio] formats?" Geary said several weeks before the final showdown. "All of these people are talented — the challenge is, you are now entering the world of commercialism, and how do you connect the dots with the consumer? 'Idol' is a pop mainstream forum and probably couldn't be any further away from the active rock audience, which is an aggressive, male-based audience. For Cook to be credible in the rock world, 'Idol' is a tough place to [come from], and he should probably join a rock group. On the flip side, top-40 radio would be a natural home for him. Those formats can embrace a pop idol."

In some ways, the strategy is more obvious for Cook, suggested Peter Katsis, a vice president at powerhouse Los Angeles talent management company the Firm, which has worked with winners Clarkson and Taylor Hicks in the past. "Archuleta has more of a Broadway-type background, so it's kind of hard to say what direction to take him in," he said. "But I could see it being easy to find David Cook the right material to make him a bit of a hipper, younger Daughtry. In a lot of ways, the path is clearest for him as a recording artist."

Goldstein agrees that the Daughtry route is the right one for Cook, but she cautioned that softening him up too much could land him in a musical no-man's land where he loses hard rock fans and is too hard for pop heads.

Unlike Greenberg and Riley, Katsis thinks Archuleta is maybe a bit too "classy" to do teen-pop material, so if he landed on the Firm's doorstep, he might push him in a more adult-contemporary direction, à la Josh Groban. "He has an amazing voice that's very powerful, but it doesn't necessarily lend itself, style-wise, to something like what Justin Timberlake is doing," he said.

What did you think of the finale? Head to YouRHere.MTV.com to upload your video reactions to Cook's big win, and check out what other "Idol" fanatics are saying!

Plus, you can get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions. And relive six seasons of "Idol" hot messes and high notes in six minutes with our video timeline.






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